In order to answer an essay question on any poem, it is vital that you understand what it is about. This section includes:
- The poem in a nutshell
- An explanation of the poem, section-by-section
- A commentary of each of these sections, outlining Weir's intention and message
'Poppies' in a nutshell
'Poppies' was written by the poet Jane Weir in 2005 to raise awareness of the sacrifices made by British soldiers in Afghanistan and Iraq. Weir’s poem 'Poppies' presents the sacrifices made by the soldiers and their families to highlight the wide-reaching impact of conflict. Just before Armistice Sunday, a mother remembers her son, who has died in a conflict. She recalls the last time she saw him, visits the local war memorial, and expresses her feelings of loss.
'Poppies' breakdown
Lines 1–2
“Three days before Armistice Sunday
and poppies had already been placed”
Explanation
- The poem begins by referencing Armistice Sunday, which is used to remember those lost in conflict
- Poppies are used to remember the day peace was declared at the end of World War I
Weir’s intention
- Weir begins the poem by alerting readers to the theme of conflict and remembrance as the poem focuses on remembering those who fell in battle
Lines 3–6
“on individual war graves. Before you left,
I pinned one onto your lapel, crimped petals,
spasms of paper red, disrupting a blockade
of yellow bias binding around your blazer.”
Explanation
- Weir refers to an event of commemoration; here she highlights the image of each soldier’s grave
- The theme of remembrance is continued as the speaker reflects on the day her loved one left for war, describing in vivid detail her memory of pinning a poppy on his collar
Weir’s intention
- Weir’s speaker addresses her son directly:
- The change in tone moves from the generic to the personal to highlight how war affects individuals
- Weir’s first-person voice conveys the feelings of the loved ones of fallen soldiers:
- This raises awareness of the consequences of war for those left behind
- Weir makes these lines personal to highlight the intimacy of a parent-child relationship
Lines 7–9
“Sellotape bandaged around my hand,
I rounded up as many white cat hairs
as I could, smoothed down your shirt's
upturned collar,-”
Explanation
- The speaker remembers little details that reflect typical behaviour between a parent and child
- She makes reference to everyday, familiar activities, such as using sticky tape to stick stray cat hairs from a jacket, to represent the small, everyday acts of love performed by a parent
Weir’s intention
- Remembering moments before the child went off to war evokes feelings of sentimentality and nostalgia
- The poem narrates familiar memories in order to show the effects of personal loss after a soldier’s death:
- This illustrates the impact that war has on individuals who have not been combatants
Lines 9–14
“-steeled the softening
of my face. I wanted to graze my nose
across the tip of your nose, play at
being Eskimos like we did when
you were little.”
Explanation
- Here, the speaker hides her powerful emotions: “steeled the softening”:
- To “steel” yourself is to make yourself strong and determined against a challenge
- “Softening” refers to tender emotion
- The speaker refers to a personal moment shared when her son was young:
- An Eskimo kiss is a term used to describe touching noses, an affectionate gesture
Weir’s intention
- These lines convey a tone of nostalgia in an emotional, free-flowing memory
- The speaker indicates the tension of the parent containing her emotion with the words “steeled” and “softening”:
- Here, Weir alludes to the powerlessness of parents after a son’s death in conflict
- This suggests the parent’s desire to protect her child from the parent’s pain, alluding to self-sacrifice made by parents during war
- The speaker remembers physical moments of love and intimacy:
- This once again uses images of childhood to evoke empathy
Lines 14–18
“I resisted the impulse
to run my fingers through the gelled
blackthorns of your hair. All my words
flattened, rolled, turned into felt,
slowly melting. I was brave, as I walked”
Explanation
- The speaker contains her urge – “resisted the impulse” – to run her fingers through her son’s hair, like she did when he was little, because her son is now grown up
- She refers to missing physical moments between parent and child
- She refers, symbolically, to their past words as folded up and compressed
- She describes the son’s childhood as “melting” and disappearing as he leaves
Weir’s intention
- These lines present a sense of the parent’s powerlessness when the son is gone:
- Her past words are compared with material being flattened and rolled up, suggesting they are now pointless
- Weir uses the adjective “brave” to show the challenge of letting a son go:
- This subverts the stereotypical image of a brave soldier by describing a brave parent, thus showing a different perspective
Lines 19–22
“with you, to the front door, threw
it open, the world overflowing
like a treasure chest. A split second
and you were away, intoxicated.”
Explanation
- The speaker describes the emotional and dramatic moment when the son leaves
- The speaker uses the image of a treasure chest to indicate the son’s hope for adventure
- The word “intoxicated” has a double meaning:
- It could refer to the son’s excitement to leave
- This links with “split second”, showing the son’s desperation to go
- However, “intoxicated” by war could also suggest that patriotism is poisonous
Weir’s intention
- These lines depict the excitement and pace of the moment the son leaves
- Weir shows the innocent excitement of the soldier:
- Here, Weir may be implying that patriotism is a naive concept
- Weir compares the way the son sees his future with a treasure chest:
- This reflects the son’s attitude, not the parent’s, highlighting the opposing experiences of the parent and the child
- Weir could be criticising the effect of war propaganda on young people
Lines 23–26
“After you'd gone I went into your bedroom,
released a song bird from its cage.
Later a single dove flew from the pear tree,
and this is where it has led me,”
Explanation
- The speaker uses a metaphor of a song bird released to symbolise letting go of the son, despite the joy (represented by the song) he brings her
- A dove appears after a period of time, which she follows because there is nothing else for her to do now her son is gone
Weir’s intention
- The poem separates the lines with a full-stop to divide the “before” and the “after” of life with their son:
- This suggests the parent’s life changed completely after the son’s death
- The metaphor of a dove alludes to peace, perhaps signifying the parent’s hope for peace, and that the son would return:
- Weir gives an implicit message about war, showing a parent hoping for peace
Lines 27–29
“skirting the church yard walls, my stomach busy
making tucks, darts, pleats, hat-less, without
a winter coat or reinforcements of scarf, gloves.”
Explanation
- The poet uses the semantic field of clothes-making to compare it with parenthood, perhaps related to the creation of something new
- The speaker describes the unsettling, physical feelings in her stomach, metaphorically comparing it to folding material
- The lack of warm clothing is described using a military term, “reinforcements”:
- This term refers to back-up personnel sent to increase the strength of an army
Weir’s intention
- The broken rhythm of these lines creates an unsettled tone, signifying the parent’s emotions:
- This conveys Weir’s message about the impact of grief on soldiers’ parents
- The list relating to clothing suggests a sense of being overwhelmed by the physical discomfort of grief:
- The words “tucks, darts, pleats” suggest a restriction of material
- This reflects the way that the speaker has to restrict her feelings to make them bearable
- The speaker’s use of military terminology ironically implies the parent’s lack of strength and support without the son:
- It applies ideas of military strength to a parent’s feelings
Lines 30–32
“On reaching the top of the hill I traced
the inscriptions on the war memorial,
leaned against it like a wishbone.”
Explanation
- The speaker relates a sensory experience at the graveyard, going over writing on the war memorial with her finger
- She compares the way she leans against the memorial to a wishbone, which is known for its connections with good luck
Weir’s intention
- The speaker uses evocative imagery to highlight the commemoration of soldiers:
- This evokes empathy, raising awareness of the parental grief caused by conflict
- The speaker compares her bent body to a curved bone symbolising good luck:
- Weir shows the parent’s physical pain and frustrated wishes
- The ironic use of a symbol connected with luck suggests a cynical tone
Lines 33–35
“The dove pulled freely against the sky,
an ornamental stitch. I listened, hoping to hear
your playground voice catching on the wind.”
Explanation
- The speaker uses the image of a stitch coming loose to symbolise how the image of their son is coming apart in their mind
- The speaker listens for his voice, remembering him as a child
Weir’s intention
- Weir’s metaphorical description of a stitch coming loose continues the semantic field of clothes-making used in the poem to symbolise parenthood:
- This conveys the parent’s feelings of loss and frustration, perhaps that her son died without reaching his potential
- Weir leaves the parent stuck in the past, unable to resolve her grief:
- This ends the poem with a lack of resolution, and suggests the parent will always mourn her son
- Weir alludes to the inevitability of war, and of the resulting grief