'The Tyger' (Edexcel IGCSE English Literature)

Revision Note

Nadia Ambreen

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English Content Creator

‘The Tyger’

Below you will find a guide to William Blake’s poem titled ‘The Tyger’ from the Edexcel International GCSE English Anthology (part 3: unit 1, section B). This guide includes:

  • Overview: a line-by-line breakdown of the poem, including its possible meanings and interpretations

  • Form, Structure and Language: an exploration of the techniques and poetic choices that William Blake has used

  • Themes: an exploration of the themes and ideas in the poem

  • Comparing Poems: suggestions on which poems to compare it to

Overview

Find out more about the poem to confidently answer an essay question in your exam by reading: 

  • A summary of the poem 

  • A “translation” of the poem, section-by-section

  • A commentary of each of these sections, outlining Blake’s intention and message

A summary of the poem ‘The Tyger’

‘The Tyger’ was written by the famous English poet William Blake and was published in 1794. The poem is formed of questions that the speaker asks about the nature of God and His creation and, in particular, the tiger. The poem questions whether the same God that created innocent and vulnerable creatures such as a lamb could create such a fierce and fearsome animal such as the tiger. The premise of the poem is the question of why God has allowed evil to exist, and it explores the power of God and nature.

‘The Tyger’ analysis

Lines 1–4

“Tyger, Tyger, burning bright,

In the forest of the night:

What immortal hand or eye,

Could frame thy fearful symmetry?”

Translation

  • The speaker asks the tiger who created him

Blake’s intention

  • The opening stanza sets up the main theme by asking the question of who created the tiger

  • The stanza begins with an epizeuxis with the repetition of the word “tyger” and the poem uses apostrophe as it addresses a creature that cannot respond

  • The use of alliteration and metaphor in “burning bright” describes the tiger as a creature that is on fire or alight:

    • It also encapsulates the dangerous and captivating nature of the creature

  • The “forest of the night” contrasts the “bright” image of the tiger, implying that even in the darkness, the tiger is alight and dangerous

  • The word “immortal” acknowledges that such a fearful and powerful creature must have been created by an entity more powerful than God:

    • The word “fearful” reinforces this idea and questions why an “immortal” being would create something so dangerous

  • While the poem focuses on the tiger, the speaker is questioning God’s reasons for creating anything evil

Lines 5–8

“In what distant deeps or skies

Burnt the fire of thine eyes?

On what wings dare he aspire?

What the hand, dare seize the fire?”

Translation

  • The speaker is asking where the tiger was created

Blake’s intention

  • This stanza also consists of numerous questions about the creation of the tiger, which suggests the speaker never discovers the answer

  • The phrase “distant deeps or skies” suggests the speaker believes God may have searched the the skies and the earth to create the tiger:

    • It could be referring to heaven or hell and the speaker is uncertain from where the tiger has originated 

  • The metaphor of flying could suggest God’s ambition when creating the tiger

  • The word “dare” suggests a bravery and power necessary to create the animal:

    • The word “seize” suggests a decisive action

  • While this stanza still ponders the ferociousness of the tiger, it focuses heavily on the power of God

Lines 9–12

“And what shoulder, & what art,

Could twist the sinews of thy heart?

And when thy heart began to beat,

What dread hand? & what dread feet?”

Translation

  • The speaker is thinking about the strength needed to create the tiger

Blake’s intention

  • The conjunction “And” indicates the speaker’s thoughts and sense of wonder as this stanza is a continuation of the last

  • It reflects on the physical effort and strength necessary to create the tiger

  • By referencing the “heart”, the speaker could be referring to the tiger’s perception of the world: 

    • It could suggest the creator placed a love for killing into the tiger’s heart

  • The third line refers to the tiger’s heart beating for the first time:

    • The line is written in iambic tetrameter, which could mimic the rhythm of the tiger’s heart but, more importantly, reflects the speaker’s growing curiosity

  • The final line could be referring to both the tiger and the creator as “dread feet”:

    • The speaker links the tiger and its creator, suggesting that whatever created such a ferocious being must also be ferocious 

Lines 13–16

“What the hammer? What the chain,

In what furnace was thy brain?

What the anvil? what dread grasp,

Dare its deadly terrors clasp!”

Translation

  • This stanza focuses on the craftsmanship behind the creation of the tiger

Blake’s intention

  • In this stanza, the speaker tries to imagine the tools and equipment needed to create the tiger:

    • The metaphor of a blacksmith describes God and the image created is that of an industrial factory

  • This could tie in to the historical context of the poem as Blake lived in London during the time of the Industrial Revolution:

    • The rhythm of this stanza could also reflect the banging of the hammer

  • The words “hammer”, “chain”, “furnace” and “anvil” all link to a factory image but also create an image of the tiger as something made from material that only fire could modify

  • The image of God in this stanza is unusual as it likens him to a blacksmith with a strength and a ferociousness to create something dangerous:

    •  The exclamation mark emphasises the speaker’s shock and awe 

Lines 17–20

“When the stars threw down their spears

And water’d heaven with their tears:

Did he smile his work to see?

Did he who made the Lamb make thee?”

Translation

  • This stanza focuses on what happened after the creation of the tiger was complete

Blake’s intention

  • This stanza begins by personifying the stars and describing their reaction upon the creation of the tiger:

    • It could signify that the heavens do not approve of what has been created

  • The second line suggests the stars are unhappy with the creation of the tiger as they weep

  • The second question asks whether the same God who made the lamb also made the tiger:

    • The speaker has taken two contrasting animals, one who is hunted and one who is the hunter to ask how God could have created such contrasting creatures

  • Historically and theologically a lamb represents gentleness, innocence and purity but also, in Christianity, it represents Christ and his sacrifice:

    • Therefore, the speaker is asking how God could have created good but also evil

Lines 21–24

“Tyger, Tyger, burning bright,

In the forests of the night:

What immortal hand or eye,

Dare frame thy fearful symmetry?”

Translation

  • The final stanza goes back to the first and asks the tiger who created him

Blake’s intention

  • The final stanza returns to the same question as the first stanza, which is the creation of the tiger

  • The return to the first stanza could suggest that no real answer has been found by the speaker for his questions:

    • He is still unsure as to why God would create such a creature

  • The replacement of the word “could” in the final line with “dare” suggests the speaker feels that it is less about skill but more about bravery and daring

Form, Structure and Language

When you consider how William Blake uses form, structure and language, try to link your analysis of these elements to focus on how he presents his ideas and why he has made these choices in ‘The Tyger’. You will gain more marks if you focus on Blake’s themes rather than on individual poetic techniques. 

Here are some suggestions for key aspects of the poem you might want to consider: 

Form

The poem consists of 24 lines, which have been split into six quatrains. 

Theme

Evidence

Poet’s intention

The power of God and creation

The poem has a regular meter:

  • Each line of the poem has seven syllables, which can generally be divided into trochees (stressed syllables) followed by an unstressed syllable

  • The majority of the poem is written in trochaic tetrameter except for lines 4,10,11,18 and 24, which are written in iambic tetrameter

The regular rhythm creates a beat similar to the beating of a hammer or the beating of the tiger’s heart as it is being created:

  • The unstressed syllable at the end of each line creates a sense of incompletion 

  • This could reflect the way the poem fails to answer the speaker’s questions on the creation of the tiger


The poem is constructed of six quatrains and each consist of two rhyming couplets:

  • The rhyme scheme for the poem is AABB throughout

The use of the steady rhyme pattern allows the poem to move forward at a uniform pace:

  • It could reflect the symmetry that was touched upon in the first stanza

  • It could also reflect the idea that God has a perfect plan even if it is incomprehensible

Structure

Each of the six quatrains in the poem consists of two rhyming couplets. 

Theme

Evidence

Poet’s intention

The power of God and creation













The poem begins and ends with virtually the same stanzas:

  • However, the middle stanzas ponder the creation of the tiger and the power of the being who created it





The structure of the poem highlights the power of God and His creation:

  • The stanzas in between the first and last stanza characterise God as a powerful and fierce being

  • In addition, the speaker changes the word in the final stanza from “could” to “dare” indicating the speaker realises God has the power and courage to create the tiger

The existence of good and evil

The poem predominantly consists of end-stopped lines:

  • There are a significant number of question marks at the end of the poem

The use of end-stopped lines and question marks makes the poem feel rigid and constrictive:

  • The constrictive nature of the poem reflects the pressure required to create the tiger

  • The end-stopped lines could also reflect the intensity of being hunted by something like the tiger

Language

The writer uses a range of language techniques to emphasise the power of God and the sinister nature of the tiger.

Theme

Evidence

Poet’s intention

The existence of good and evil

The speaker’s main symbol in the poem is the tiger 


The tiger is a powerful symbol in this poem:

  • While the tiger’s physical features are described, it is less about the actual animal and more about what he represents

  • Therefore, the speaker is questioning why such evil things exist and God’s motives are questioned

The poem uses fire and associates it with the tiger:

  • Words such as “burning bright”, “burnt”, “fire” and “furnace” are used when describing the tiger

The use of fire symbolism captures the visual appearance of the tiger:

  • However, it evokes images of an intense factory or industrial sight where the creature was created

  • Fire is also associated with hell and evil suggesting that the tiger’s essence is derived from hell

  • This also contrasts with the image of the “lamb” and “stars” that weep, further emphasising how the tiger represents evil and danger

The power of God and creation

Alliteration is used frequently throughout the poem. For example:

  • In line 5, the speaker uses “distant deeps” and finally, in line 16, the speaker uses “daring” and “deadly” 

Alliteration adds an intensity to the poem:

  • The alliteration in line 16 emphasises the sheer power and might of the creator 

Themes

While knowing the poem is important, you also need to be able to show the examiner that you can write an informed, personal response. Therefore, you need to develop a solid understanding of the theme, main ideas and events depicted.

It is still important to have an awareness of background information that is relevant to the themes in the poem, even though you are not explicitly assessed on context. This can help you develop a sustained, critical understanding of the text. 

To help you do this, the section below has been divided into two main themes that Blake explores in 'The Tyger':

  • The Power of God and Creation

  • The Existence of Good and Evil

The Power of God and Creation

  • Blake first published a collection, Songs of Innocence, and a subsequent collection in 1794, Songs of Experience, which offered a contrary view to his earlier work:

    • Both collections explores the nature of soul, religion and humanity

  • ‘The Tyger’, from Songs of Experience, was written to contrast his earlier poem called ‘The Lamb’, which appears in Blake’s Songs of Innocence collection

  • Blake did not get the recognition he deserved during his lifetime and many considered him to be a madman

  • The speaker in ‘The Tyger’ explores the more ominous, powerful and mysterious aspect of Divinity and creation

  • Through the poem, Blake challenges the common beliefs of the 18th century regarding God and religion as God was depicted as a shepherd:

    • However, Blake presents a multi-layered God who has the ability to be kind but also fierce 

  • The tiger is repeatedly linked with fire which could signify its power but also the intense process required for its creation

  • The word “dare” suggests that God has the ability to create the tiger but also the strength to create such a formidable creature

  • Ultimately, the questions that the poem asks are left unanswered:

    • It suggests that humans lack the ability or insight to comprehend God’s intentions, leaving the question of why the tiger exists unanswered

The Existence of Good and Evil

  • The poem is an expression of awe at God’s ability to create and also at his creation of a tiger

  • However, the central animal in this poem symbolises fear, danger and violence:

    • The speaker reflects on the existence of good and evil and questions whether God, who created “the Lamb”, also created the sinister tiger

  • The speaker marvels at God’s ability to create a creature that is “bright” and full of “symmetry”

  • However, the speaker uses words such as “burning”, “fearful” and “dread” to highlight how evil and dangerous the tiger is

  • The speaker’s personification of the stars highlights how good and evil collide:

    • Stars normally symbolise goodness and heaven and the speaker claims that they “threw down their spears” in reaction to the tiger being created

  • It could also suggest the stars attempt to kill the tiger before it causes any damage:

    • This image could reflect good versus evil

  • The poem’s questions leave the reader thinking about why good and evil exist but in the knowledge that they both do

Comparing Poems

In your exam, you will be required to compare two poems from the anthology so you must have a good knowledge of poetic form, content and meaning to compare the poems effectively. 

You must be able to explore links and connections between texts, which includes looking at both poets’ use of language, form and structure. 

In ‘The Tyger’, Blake’s main ideas are centred around defiance and grief; therefore, the following comparisons would be a good starting point:

  • ‘The Tyger’ and ‘Prayer Before Birth’

  • ‘The Tyger’ and ‘War Photographer’

For each pair of poems, you will find:

  • Comparison summary

  • Similarities and differences between the ideas presented in each poem

  • Evidence and analysis of these similarities and differences

Exam Tip

You need to make sure that your answers are not too vague, so do not make generalised comments as this will not get you any marks. For example, writing “the lack of punctuation makes the reader want to read on” is too vague and tells the examiner that you have not done your research. 

Instead, you need to write something like “the use of enjambment allows the reader to follow the speaker’s thought processes and pulls the reader from one line to the next. By creating a sense of urgency, the reader gains an insight into the speaker’s panicked state of mind”

‘The Tyger’ and ‘Prayer Before Birth’

Comparison summary:

Both poems touch on the concept of evil. In ‘The Tyger’, the speaker is marvelling at God’s ability to create an animal as sinister as the tiger and is an exploration of evil creation. However, in ‘Prayer Before Birth’, the speaker is asking to be saved from the cruelties in the world.

Similarities:

Topic sentence

The speakers of both poems marvel at the creation and existence of evil in the world

Evidence and analysis

‘The Tyger’

‘Prayer Before Birth’

No information is given about the speaker as he reflects on the tiger’s creation 

In ‘Prayer Before Birth’, the speaker is an unborn child who is afraid of being born and exposed to evil

The speaker in ‘The Tyger’ uses apostrophe as it is addressing and questioning the tiger about its existence

The speaker also uses apostrophe as the speaker, who is an unborn child, is talking to an unknown entity – presumably God – but it could also be humanity

Assonance is used throughout the poem:

  • For example, in line 10, the speaker uses the words “twists” and “sinews”

  • These lines almost mimic the physical movement of twisting and shaping the tiger

  • At times, the assonance reflects the ferocity of the tiger, such as in line 13

  • Whereas, at other times, it contrasts the strength and danger of the tiger by creating gentle sounds when referring to “the Lamb”

Assonance is also used in ‘Prayer Before Birth’:

  • An example of this is in stanza one –

“...bloodsucking bat or the rat” – which emphasises the unborn child’s fears of creatures that they find threatening 

  • The use of assonance creates a rhythm to the poem and highlights the speaker’s fears and emotions throughout

Differences:

Topic sentence

Although both poems present the speakers’ views on life, their perspectives differ

Evidence and analysis

‘The Tyger’

‘Prayer Before Birth’

The speaker of the poem is inquisitive and ponders over the creation of the tiger

However, the speaker in this poem is pessimistic and is imagining terrifying scenarios that they might experience

In ‘Prayer Before Birth’, the speaker is afraid of being exposed to the world’s evils and asks that, if they cannot be protected, they be killed

No real information is given about the speaker as they are more focused on asking the tiger questions regarding its creation and existence



The poem is made up of 39 lines which are split into eight stanzas of varying lengths: 

  • The differing lengths of the stanzas could reflect the speaker’s fears, which, at times, are quite naive and childlike

The poem is 24 lines long and is divided into six quatrains with the first and last quatrain being virtually identical:

  • Each stanza is constructed of two rhyming couplets 

  • The rigid structure of the poem could reflect the symmetry of the tiger that the speaker mentions in stanza 1

  • It could also reflect the pressure and tension needed to create something as fierce as a tiger

End-stopped lines are a significant feature of the poem:

  • The use of end-stopped lines reflects the speakers lack of understanding and also creates a stop-start rhythm that prevents the poem from flowing seamlessly from one line to the next

  • This reflects the speaker’s lack of knowledge and understanding in relation to God and creation

Caesura and enjambment are used throughout to control the pace and emotion:

  • In the second stanza of the poem, enjambment is used to slow the pace to reflect the positive image of nature and comfort in the stanza

  • However, enjambment is also used in certain stanzas to mirror the violence and darkness of the language

‘The Tyger’ and ‘War Photographer’

Comparison summary:

Both poems include a speaker who notices and wonders on the evil that exists in the world. In ‘The Tyger’, the speaker uses the image of the tiger as a symbol of evil and ferocity that exists in the world. In ‘War Photographer’, the speaker of the poem focuses on a photographer who has taken pictures of people in deprived and poverty stricken parts of the world to highlight the evil and depravity that exists.

Similarities:

Topic sentence

Both poems include a speaker who highlights the horror and evil that exists in the world

Evidence and analysis

‘The Tyger’

‘War Photographer’

In ‘The Tyger’, the speaker ponders the creation and existence of the tiger

In ‘War Photographer’, the speaker is an outsider looking in:

  • However, in this poem, he is closely focused on a photographer observing the people in deprived areas

‘The Tyger’ is tightly structured with   24 lines that are divided into six quatrains, with the first and last quatrain being virtually identical:

  • Each stanza is constructed of two rhyming couplets 

  • The rigid structure of the poem could reflect the symmetry of the tiger that the speaker mentions in stanza 1

  • It could also reflect the pressure and tension needed to create something as fierce as a tiger


Similarly, in ‘War Photographer’, the structure is also tight with four stanzas of six lines and a consistent rhyme scheme:

  • The tight structure and consistent rhyme scheme could reflect the photographer’s internal conflict as he tries to control and bury the trauma of what he has witnessed

  • The poet uses a rhyme scheme of ABBCDD but also uses internal rhyme

  • The inconsistent internal rhyme could mirror the photographer’s internal conflict and the rigid, strict rhyme scheme of ABBCDD could reflect his desire to not display his feelings externally

The poet uses religious imagery at certain points to highlight the contrast between good and evil:

  • The speaker personifies the stars to contrast the image of the tiger

  • The stars object and protest against the creation of the tiger, highlighting how evil, while allowed to exist, has a direct opposite

  • The speaker also asks whether the God who created “the Lamb” created the tiger, and this highlights the ferocity of the tiger by comparing it to an animal as innocent as the lamb

The poet also uses religious language in ‘War Photographer’:

  • An example of this is the metaphor referencing the Old Testament’s Book of Isaiah by stating that “All flesh is grass”, indicating that people will die and return to the earth

  • It could suggest that the reference to the Bible helps the photographer comfort himself with the thought that life is temporary and therefore the suffering of those he is observing is temporary

Differences:

Topic sentence

While both poems focus on evil and cruelty, ‘The Tyger’ focuses on the creation of a cruel creature while ‘War Photographer’ focuses on the cruelty inflicted upon humanity

Evidence and analysis

‘The Tyger’

‘War Photographer’

The poem focuses on the speaker’s thoughts and feelings in relation to the creation and existence of the tiger:

  • He questions “what dread hand?” could create such a creature as the tiger


The speaker focuses on the thoughts and feelings of the photographer and, at times, it is evident that the photographer is fighting with himself over the ethics of his images:

  • His hands “tremble” as he develops the photographs, which suggests that he has a lasting trauma over what he witnessed

While the tiger is presented as a ferocious creature, the speaker is also in awe of him:

  • Language such as “burning bright” and “fearful symmetry” highlights the speaker’s amazement at the tiger and its creation

  • Also, by referring to the stars and “the Lamb”, the speaker counterbalances the evil and sinister nature of the tiger with things that are good and pure

However, in ‘War Photographer’, the people whom the photographer observes are presented in a negative way, such as “half-formed ghost” and a “hundred agonies”. 

  • The use of the negative language here highlights the atrocities that the people are facing and how there is no real sense of hope




The speaker predominantly uses end-stopped lines:

  • The use of end-stopped lines reflects the speaker’s thought processes and his inability to understand why God created the tiger

Duffy uses enjambment throughout the poem:

  • This reflects the photographer’s state of mind and his inability to forget the memories of what he has seen

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Nadia Ambreen

Author: Nadia Ambreen

Nadia is a graduate of The University of Warwick and Birmingham City University. She holds a PGCE in secondary English and Drama and has been a teacher for over 10 years. She has taught English Literature, Language and Drama across key stages 3 to 5. She has also been an examiner for a leading exam board and has experience designing and delivering schemes of work for AQA, Edexcel and Eduqas.